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“Gnarls Barkley's digital achievement came just over a month after another cyber-landmark was attained. The billionth download in iTunes history occurred in late February 2006, when a Michigan teen ordered Coldplay's 'Speed of Sound' for the sum of 99 cents. That price is yet another reason why singles --- almost eradicated by the trend toward albums in the 1970s --- are back, and in a big way. ”
Sophia loren movies photos And to think that the music industry spent the early years of the Cyber Era trying to deny, or at least discourage, its existence.
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Top 50 scifi movies Perhaps finally realizing that such a tactic didn't work for blacksmiths at the turn of the last century, the recording moguls --- albeit grudgingly --- sought to learn from the new technology. The key to their success to date is their seeming awareness that their objective is to find their niche in the cybermarket, rather than attempt to dominate it. Granted, it's a mega-niche, but the industry apparently accepts that it will no longer be the lone gateway between artist and consumer.
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Retailers, for example, are beginning to capitalize on the social aspects of music purchases. There will always be teens, and congregating for music is a long-standing trait of theirs. When it's in the malls or on Main Street, the major chains are preparing to offer kiosks where downloads can be purchased on-site. With their vast inventories of stock, these stores present an ideal means of searching for songs, sampling them and then sharing opinions, which perfectly describes the normal buying habits of both teens and tweens (ie- the 9-to-12 set).